Choosing The Best Auto Frame Shop After An Accident

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No one wakes up with the intention of being involved in an auto accident. Many people don’t even think about looking for the Best Auto Frame Shop until after someone runs a red light or skids out of control on a wet road. At that point, finding a shop that can undo the damage to the vehicle suddenly becomes a priority. Here are some tips on how to find a shop that can do the job properly.

Ask About Certifications

As with many types of services, the professionals associated with different auto frame shops study hard to secure certifications relevant to their field. Before entrusting the vehicle to any shop, ask about those certifications. Pay close attention to who grants them, and what type of expertise they indicate. The goal is to only work with a shop who has professionals who are well versed in what it takes to inspect a damaged frame, determine what must be done to make repairs, and how to project the anticipated cost.

Check Local Affiliations

It never hurts to find out what type of local professional organizations that the auto frame shop is associated with. For example, it is reasonable to expect the Best Auto Frame Shop to be a member of the local chamber of commerce. Those local affiliations indicate commitment and dedication to the community, something that anyone living in the area will want to support.

The Attitude of the Team

Attitude is almost as important as the level of expertise that the team at the frame shop brings to the table. The experts at Texas Body & Frame understand just how important the right attitude is when someone is already upset about being in an accident.

When a customer feels as if his or her questions are an imposition, or there is any attempt to hurry through the process without taking the time to talk with the client, that is a good sign that the customer should take the car to a different service. If the team does a thorough inspection, sits down with the client and explains what must be done, and is open to answering any questions, choosing that service makes sense.

Jerry Brown defeats Meg Whitman in election for California governorship

Thursday, November 4, 2010

On Tuesday night, twenty-seven years after previously completing his second term as governor of California, candidate Jerry Brown has again won the race for the position.

Attorney General Jerry Brown, of San Francisco, California, was the lead nominee for the Democratic Party, facing off against the lead nominee of the Republican Party Meg Whitman, of Long Island, New York, who had spent a record US$141 million to support her campaign. More than approximately $80 million of that was diverted to knocking out California Insurance Commissioner and also Republican candidate Steve Poizner, of Houston, Texas, who was also running in the election but was defeated early in the campaign.

The election ended with only 42.2% popular support for Meg Whitman as contrasted with 52.8% of votes for Jerry Brown. A major issue that arose during the elections was the bad economy, something that many people cited as the reason for their votes. Some mudslinging, including an incident when an unidentified Brown supporter was found to have called Whitman a “whore”, also ensued a few days before the night of the election took place in the Fox theater, according to Cnet.

When the night of the election came and the new governor of California announced, the former Jesuit seminary student gave his five-minute victory speech, showing optimism for the future of California and the state budget:

“I see California once again leading in renewable energy, in public education and openness to every kind of person, whatever their color is,” Brown said. “I mean, we’re all God’s children.”

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Report urges Kenya to ban plastic bags

Wednesday, March 9, 2005File:Plastic bag stock sized.jpg

They are cheap, useful, and very plentiful, and that is exactly the problem, according to researchers. A report issued on Feb. 23 by a cadre of environment and economics researchers suggested that Kenya should ban the common plastic bag that one gets at the checkout counter of grocery stores, and place a levy on other plastic bags, all to combat the country’s environmental problems stemming from the bags’ popularity.

Bellerín extends Arsenal contract

Monday, November 21, 2016

Today, English capital football club Arsenal F.C. announced Spanish defender Héctor Bellerín signed a “long-term” contract extension.

21-year-old Bellerín joined the Gunners in 2011 from FC Barcelona’s academy, La Masía, where he spent eight years. Graduating from Arsenal’s youth ranks, Bellerín made his professional debut for Arsenal in 2014. In the 2015–16 season, Bellerín started in 36 of 38 Premier League matches. He won a spot in PFA’s team of the season and featured for Spain in the UEFA Euro 2016. Bellerín has featured in 67 matches for the Arsenal first team.

Per the previous contract, Bellerín was tied to the club till July 2019. The Telegraph reported Bellerín would probably earn about £100,000 per week. Currently, the centre back earns about £40,000 per week.

After signing the contract extension, Bellerín said, “I’ve just got to keep on progressing, keep working hard to be the best player I can be, and hopefully help the team to be where it’s got to be, to win some silverware.” Arsenal won the league title previously in 2004.

Previously, Barça and Manchester City F.C. were interested to sign the Spanish international. Past Arsenal players Cesc Fàbregas, Thierry Henry, Thomas Vermaelen, and Alex Song each left to Barça.

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Bat for Lashes plays the Bowery Ballroom: an Interview with Natasha Khan

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.


DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Tony Blair tells Iraq Inquiry he would invade again

Friday, January 29, 2010

Tony Blair, former prime minister of the United Kingdom, appeared before the Iraq Inquiry today. He faced six hours of questioning, starting at 6:30 am, at the Queen Elizabeth II Conference Centre in London concerning his role in the 2003 Iraq invasion. During the inquiry, Blair stood by his decision to invade, saying he would make the same decision again.

This is the third time Blair has given evidence at an inquiry into the Iraq War, having already testified before the Hutton Inquiry and the Butler Review, as well as participating in an investigation by the Intelligence and Security Committee. The Hutton Inquiry found that the government did not “sex up” the dossier on Iraq’s weapons of mass destruction. The Butler Review uncovered “serious flaws” in pre-war intelligence, and this inquiry was set up by current prime minister Gordon Brown in order to “learn the lessons” of the war. Sir John Chilcott, the inquiry chairman, began by stressing that Blair was not “on trial”, but could be called back to give further evidence if necessary.

At the end of the session, Chilcott asked Blair if he had any regrets, to which Blair replied that he was “sorry” that it was “divisive”, but said that invading was the right thing to do since he believes “the world is a safer place as a result.” Blair said that the inquiry should ask the “2010 question”, which refers to the hypothetical position that the world would be in if Saddam Hussein were not removed from power. He said that “today we would have a situation where Iraq was competing with Iran […] in respect of support of terrorist groups”.

At the inquiry, the topics on which Blair was questioned included his reasons for invading Iraq.

At the time, he said that his reasons were based on a need to rid Iraq of weapons of mass destruction; however, interviews held later suggest that removing Saddam Hussein from power was his primary objective. Blair denies this, asserting that the need to dispose of Iraq’s weapons of mass destruction was the only reason for the United Kingdom’s participation in the invasion. He explained that, in an interview with Fern Britton, he “did not use the words regime change”, and, what he was trying to say was, “you would not describe the nature of the threat in the same way if you knew then what you knew now, that the intelligence on WMD had been shown to be wrong”.

He said, despite no weapons of mass destruction being found by UN weapons inspectors, he still believes that Saddam Hussein had the means to develop and deploy them; “[h]e had used them, he definitely had them […] and so in a sense it would have required quite strong evidence the other way to be doubting the fact that he had this programme […] The primary consideration for me was to send an absolutely powerful, clear and unremitting message that after September 11 if you were a regime engaged in WMD [weapons of mass destruction], you had to stop.”

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He also said that weapons of mass destruction and regime change were not separate issues, but “conjoined”, since “brutal and oppressive” regimes with such weapons are a “bigger threat” than less hostile nations with the same weapons. He said that Hussein’s regime was hiding important information from UN weapons inspectors, and had “no intention” of complying with them. He asserted that he has “no regrets” about removing Hussein, “[a] monster and I believe he threatened not just the region but the world.”

There were also questions about why the UN weapons inspectors were not given more time in Iraq in March 2003. Blair responded by saying that it would have made very little difference, as Iraq had the knowledge and “intent” to rebuild its weapons program from scratch if it were dismantled. He was also asked whether he still believed that the war was morally justified. He said that he did. He also said that the war was required because more diplomatic solutions had already failed, and the “containment” of Hussein’s regime through diplomatic sanctions was “eroding” when the decision to invade was made.

I never regarded 11 September as an attack on America, I regarded it as an attack on us.

He also said that attitudes towards Saddam Hussein and the threat he presented “changed dramatically” after the 9/11 attacks on the World Trade Centre in New York. He said, “I never regarded 11 September as an attack on America, I regarded it as an attack on us.” He said that he believed terrorists would use biological and chemical weaponry, and also said, “if those people inspired by this religious fanaticism could have killed 30,000 they would have. My view was you could not take risks with this issue at all.”

He later said, “When I talked earlier about the calculus of risk changing after September 11 it’s really important I think to understand in so far as to understanding the decision I took, and frankly would take again. If there was any possibility that he could develop weapons of mass destruction we should stop him. That was my view then. It’s my view now.”

He was also asked about his supposed commitment to George W. Bush that United Kingdom would join the United States in an Iraq war, which he is said to have made at Bush’s Crawford ranch in 2002. Blair stubbornly denied that this took place, saying that what was said is that Saddam Hussein had to be “dealt with”, and that “the method of doing that is open”. Instead, he says, his reasons for the invasion were moral.

The decision I had to take was … could we take the risk of this man reconstituting his weapons programme?

He also said, “This isn’t about a lie or a conspiracy or a deceit or a deception. It’s a decision. And the decision I had to take was, given Saddam’s history, given his use of chemical weapons, given the over one million people whose deaths he had caused, given 10 years of breaking UN resolutions, could we take the risk of this man reconstituting his weapons programmes or is that a risk that it would be irresponsible to take?”

He said of Bush: “I think what he took from that [the meeting] was exactly what he should have taken, which was if it came to military action because there was no way of dealing with this diplomatically, we would be with him.” He did admit, however, that—a year later, as the invasion approached—he had been offered a “way out” of the war, which he declined. He said of this, “I think President Bush at one point said, before the [House of Commons] debate, ‘Look if it’s too difficult for Britain, we understand’. I took the view very strongly then—and do now—that it was right for us to be with America, since we believed in this too.”

Another line of questioning focused on his 45-minute claim, which was included in the September 2002 dossier but redacted after the war. It states that Hussein was able to deploy nuclear weapons within 45 minutes of giving the order. This dossier also contained the words, “the assessed intelligence has established beyond doubt is that Saddam has continued to produce chemical and biological weapons”. However, the inquiry has revealed that there were certain caveats involved, so the claim was not—anti-war campaigners claim—”beyond doubt”, especially since senior civil servants have told the inquiry that intelligence suggested that Hussein’s weapons of mass destruction had been dismantled.

Blair said that it “would have been better if (newspaper) headlines about the ’45-minute claim’ had been corrected” to state—as he admits he should have made clear—that the claim referred to battlefield munitions, rather than to missiles. He says that, with the benefit of hindsight, he would have liked to have published the intelligence reports themselves, since they were “absolutely strong enough”. He did insist, however, that the intelligence that was available at the time put it “beyond doubt” that Iraq was continuing to develop weaponry. He added that “things obviously look quite different” after the war, since weapons of mass destruction were not found.

One of the main topics was the legality of the war. Earlier this week, a senior Foreign Office legal advisor claimed that the war would be illegal without a further United Nations Security Council resolution—which was not obtained. The attorney general at the time, Lord Peter Goldsmith, said that the cabinet refused to enter into a debate over the legality of the war, and that Blair had not received his advice that a further UN resolution would be needed warmly. He insists that he “desperately” tried to find a diplomatic solution to the problem until France and Russia “changed their position” and would not allow the passage of a further resolution.

Blair also said that he would not have invaded had Goldsmith said that it “could not be justified legally”, and explained Goldsmith’s change of mind by saying that the then attorney general “had to come to a conclusion”, and his conclusion was that the war was legal. He did not know why Goldsmith made this conclusion, but said he believes that it may be due to the fact that weapons inspectors “indicated that Saddam Hussein had not taken a final opportunity to comply” with the UN.

Questions were also asked on the government’s poor post-war planning, and claimed confusion about whether the US had a plan for Iraq after the war was over. Blair was drilled about the lack of priority that was given to the issue of post-war planning. He was also asked about the lack of equipment that British soldiers were given. This line of questioning was pursued in front of the families of some of the soldiers who died in Iraq—many of whom blame the poor equipment for the deaths of their relatives.

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The families of some of the 179 British soldiers killed in the Iraq war, along with around 200 anti-war protesters, held a demonstration calling for Blair to be declared a war criminal outside the centre in London’s City of Westminster. They chanted “Tony Blair, war criminal” as the former prime minister gave evidence inside. Blair was jeered by a member of the audience as he made his closing statement, and the families booed him, chanting “you are a liar” and “you are a murderer” as he left the centre.

In order to avoid the protesters, he arrived early and was escorted by security as he entered through the back door, with large numbers of police officers standing by. One of these protesters, Iraqi Saba Jaiwad, said, “The Iraqi people are having to live every day with aggression, division, and atrocities. Blair should not be here giving his excuses for the illegal war, he should be taken to The Hague to face criminal charges because he has committed crimes against the Iraqi people.”

Ahmed Rushdi, an Iraqi journalist, said that he was unsurprised by Blair’s defence of the invasion, because, “A liar is still a liar”. He also claimed that the war had done more harm than good, because, “Before 2003 there were problems with security, infrastructure and services, and people died because of the sanctions, but after 2003 there are major disasters. Major blasts have killed about 2,000 people up till now. After six years or seven years there is no success on the ground, in any aspect.”

Why did we participate in an illegal invasion of another country?

Current prime minister Gordon Brown, who set up the inquiry, said before Blair’s appearance that it was not a cause for concern. Anthony Seldon, Blair’s biographer, called the session “a pivotal day for him [Blair], for the British public and for Britain’s moral authority in the world”. Liberal Democrat leader Nick Clegg, who opposes the war, said in Friday’s Daily Telegraph that it was “a pivotal moment in answering a question millions of British people are still asking themselves: Why did we participate in an illegal invasion of another country?” He called the invasion “subservience-by-default to the White House”, and questioned the “special relationship” between between the United Kingdom and the United States.

Vincent Moss, the political editor of the Sunday Mirror newspaper, criticised the inquiry for being too soft on Blair. He said, “A lot of ground wasn’t covered, and in my mind it wasn’t covered in enough detail, particularly the dodgy dossier in September 2002. There wasn’t very much interrogation on that, they pretty much accepted what Tony Blair said about the intelligence. We could have had an awful lot stronger questioning on that”.

It is feared by some senior Labour Party politicians that today’s events could ignite strong feelings about the issue in voters, and thereby damage the popularity of the party, which is already trailing behind the Conservative Party with a general election required in the first half of the year.

Worst storm in thirty years hits Newcastle, Australia

Friday, June 8, 2007

Up to eight people may have died after Newcastle, New South Wales, Australia experienced its worst storm in thirty years.

NSW Premier Morris Iemma made the declaration at 9.30pm on the 8th June, as people waded through waist-deep water in the centre of the city. Authorities have had to call off the search for a family of five, who were lost when the Old Pacific Highway sank into a thirty-metre deep chasm underneath them. The bodies of an adult and two children were found in the car this morning.

Police are also looking for an elderly couple missing in the Hunter Valley, and a Newcastle man who was swept down a storm water drain in the northern part of the city.

Authorities also fear a “potentially major environmental disaster”, as bulk carrier Pasha Bulker is grounded on a reef in Nobby’s Beach. The vessel contains over 700 tonnes of fuel and shows some signs of breaking up. Twenty-two crew members were rescued earlier in the day. Two other vessels, the Sea Confidence and the Betis required assistance from tugs with the Sea Confidence coming within 700m of the shore.

The Australian Bureau of Meteorology has issued further flooding and severe weather warnings; they expect the weather to continue overnight easing during Sunday for the area.

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Canadian MPP joins Ontario’s Liberal cabinet

Wednesday, February 21, 2007

Recently elected Markham, Ontario MPP Michael Chan became Ontario’s Revenue Minister today to reflect the large Chinese-Canadian community.

Former Ontario NDP premier Bob Rae created the revenue ministry. Liberal premier Dalton McGuinty recreated it because he wanted Chan in it. He also said that Finance Minister Greg Sorbara needs a hand with his job and this would help.

“Michael is a strong member of our team and brings a great deal of experience to this position,” McGuinty said today. “Michael is passionate about building opportunity for Ontario families and we’re happy to have him on the team.”

Before getting in power, Chan owned an insurance brokerage in Markham with hundreds of agents. A by-election was called for two ridings including Markham. Chan won on February 8 and was just sworn in two days ago.

The Ontario cabinet now has 27 ministers.

Intelligence agencies warned about growing local insurgency in late 2003

Wednesday, March 1, 2006

Knight Ridder reports that “U.S. intelligence agencies repeatedly warned the White House beginning more than two years ago that the insurgency in Iraq had deep local roots, was likely to worsen and could lead to civil war, according to former senior intelligence officials who helped craft the reports.”

This is in stark contrast to public statements made by the Bush administration. In his November 1 radio address President Bush said “Some of the killers behind these attacks are loyalists of the Saddam regime who seek to regain power and who resent Iraq’s new freedoms. Others are foreigners who have traveled to Iraq to spread fear and chaos. … The terrorists and the Baathists hope to weaken our will. Our will cannot be shaken.”

In a May 2005 interview Vice President Cheney said “I think they’re in the last throes, if you will, of the insurgency.”

Accoding to Robert Hutchings, the chairman of the National Intelligence Council from 2003 to 2005, and now diplomat in residence at Princeton University’s Woodrow Wilson School of Public and International Affairs, there was a “steady stream” of intelligence reports warning Bush and his administration that the insurgency was intensifying and expanding, including a major study, called a National Intelligence Estimate, which was completed in October 2003.

Hutchings said that from early 2003 on the intelligence reports reflected that there were “signs of incipient civil war”.

“Frankly, senior officials simply weren’t ready to pay attention to analysis that didn’t conform to their own optimistic scenarios,” Hutchings told Knight Ridder.

The office of Director of National Intelligence John Negroponte declined Tuesday to comment on the Knight Ridder article.